Scope and Contents China and Mongolia, 1921-1930. The first sequence concentrates on daily life in a Mongol camp near Tsagan Nor (or White Lake). The camp is a complex of Mongolian tents (yurts) with men, sheep, and dogs milling about; yaks pull heavy logs; and a camel is being trained. The film moves to Urga (now Ulan Bator) where Khalka women with elaborate headresses are seen; a Mongol affected with gigantism enters the city and is photographed with Roy Chapman Andrews. The film then shifts back to the...